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Logo Design

How to Choose Logo Colors for a Small Business

Most small business owners pick their logo colors the same way: a favourite shade, a quick look at a competitor, and a gut feeling in the designer's office.

Designer's desk with printed logo proofs, paint color swatch cards and a laptop showing a mark in several colors

Most small business owners pick their logo colors the same way: a favourite shade, a quick look at a competitor, and a gut feeling in the designer's office. Six months later the logo looks muddy on a van, disappears on a dark social banner, and prints a different blue at every shop. Learning how to choose logo colors with a few practical tests saves you from all three problems.

I have run color decisions for brand projects ranging from one person bakeries to regional law firms. This is the process we use at the studio, including the tests we run before a client ever sees a mockup.

Start with the logo in one color

Before any color is chosen, the mark has to work in solid black and in solid white. If the shape only holds together because of a gradient or two contrasting fills, color will not save it. It will just hide the weakness until the logo is embroidered, engraved or faxed.

We cover the reasons in detail in why a logo that works in black and white travels further, but the short version is simple. Color is a layer you add to a strong shape, not the thing that makes it strong.

How to choose logo colors in five steps

  1. List where the logo will live. Website header, social avatars, signage, vehicle wraps, receipts, uniforms. Rank them by how often a customer sees each one. A cafe's cups matter more than its letterhead.
  2. Map the competition. Collect logos from 10 to 15 local competitors and lay them on one page. If eight of them are navy, navy will make you invisible, however trustworthy it feels.
  3. Pick one primary color. This is the color people should remember. Choose it from the gap you found in step two and test it against your brand personality, not your personal taste.
  4. Add at most one secondary color. Most strong small business logos use one or two colors plus black or white. Three is the practical ceiling before the mark starts to look busy at small sizes.
  5. Specify every format. Write down the Pantone, CMYK, RGB and HEX value for each color before sign off. Without this, every printer guesses.

A quick guide to what colors tend to signal

Color meanings are cultural and context dependent, so treat these as starting points, not rules.

Color familyCommon associationOften used by
Deep blueStability, trustAccountants, insurers, clinics
GreenGrowth, health, outdoorsGardeners, grocers, wellness
Red and orangeEnergy, appetite, urgencyRestaurants, fitness, trades
YellowOptimism, visibilityChildcare, cleaning, signage heavy trades
Black and charcoalPremium, restraintSalons, studios, fashion

Test your logo colors before you approve them

This is where most color choices fail, and every test here takes less than ten minutes.

  • Contrast test. Check the primary color against white and against your darkest background with a contrast checker. For any text in the logo, aim for a ratio of at least 4.5 to 1. Light greens and yellows often fail on white.
  • Small size test. Shrink the logo to 32 pixels and 16 pixels. Two similar mid tones will merge into one blob. Our guide on how to test a logo at favicon size walks through the full check.
  • Grayscale test. Convert the color logo to grayscale. If the primary and secondary colors turn into the same gray, the design relies on hue alone and will be hard to read for people with color vision deficiency, which affects roughly 1 in 12 men.
  • Print test. Print the logo on a home printer and on plain uncoated paper. Bright screen colors, especially electric blues and purples, often print dull because they sit outside the CMYK range.
  • Background test. Place the logo on a photo, on a dark social cover, and on kraft paper. Note which version you need for each. Usually that means a full color version, a one color version and a reversed white version.

A worked example from a recent project

A family run plumbing firm came to us wanting navy, because "plumbers look trustworthy in navy." When we mapped their area, 9 of the 12 competitors used navy or royal blue. We tested a deep teal against a warm orange accent. The teal kept the calm, dependable feel they wanted, the orange made the vans readable from across a car park, and both colors held up in grayscale and at 16 pixels. The owner told us six months later that customers had started describing them as "the teal vans," which is exactly what a primary color is for.

Why trend colors are a weak foundation

Every year a color of the year gets announced and a wave of new logos follows. The advice to "feel current" sounds reasonable, but for a small business it is often a poor trade.

A logo is expensive to change once it is on signage, vans and uniforms. Repainting one vehicle wrap can cost $2,000 to $5,000, and a shopfront sign easily as much. A color chosen because it was fashionable in one season will look dated in three to five years, right when you have the least budget to replace it.

Trends belong in the flexible parts of a brand: social graphics, seasonal packaging, campaign landing pages. The logo should be the part that does not need to move. Pick its colors for contrast, distinctiveness in your local market and how they reproduce, then let the trendy shades live around it.

Locking the colors into your brand files

Once approved, the colors need to be written down where everyone can find them. At minimum, ask for:

  • A one page color sheet with Pantone, CMYK, RGB and HEX values for each color.
  • Logo files in full color, one color and reversed, in both vector and PNG formats.
  • A note on which version to use on light, dark and photographic backgrounds.

Our checklist of logo files to get from your designer lists the exact files to request before final payment, so the color work does not get lost the first time a printer asks for "the vector."

Frequently asked questions

How many colors should a logo have?

One or two colors, plus black or white, is enough for almost every small business. More colors raise printing costs, make embroidery harder and blur the logo at small sizes. If a design needs four colors to work, the shape usually needs more work.

There is no single best color. The right one stands out from your local competitors, fits the feel of your business, passes a contrast check and prints reliably. A plumber in a town full of blue vans may do better with orange.

Should my logo colors match my website colors?

The website should use the logo's primary color as an anchor, but it can add neutral and accent colors the logo does not use. Keep the logo's exact values consistent everywhere so it looks the same on screen and in print.

IS
Imogen Strand

Imogen started in print, setting type for menus and wedding invitations, before moving into brand identity. She still tests every logo by photocopying it twice.

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